When a Siege-playing friend or acquaintance of mine finds out that I also play Siege and have a slightly-above-average rank of Gold 1(ish) when playing regularly, half of the time I get asked for tips to improve. Advice about angles is one of the recurring tips I give, and I believe that it’s something that’s fairly intuitive to apply in-game once you understand the concept.
Hop on the wagon as we run through Granaries, Lumber Mills, Universities and more.
Legend: Alacrity and Legend: Bloodline are two competing options in the Precision tree. When is one better than the other, and what do I personally prefer to use?
After publishing my article on War Elephants, TripleAAA commented asking about Militia and Minuteman (Minutemen?) against War Elephants. I hadn’t tested that but it seemed like useful information to have, so I put it on the to-do list.
While running these new tests I also ended up with some questions of my own regarding the ranged attack of Mahouts. Was the damage of the melee and ranged attacks identical? Was the damage modifier different for the ranged and melee attacks (i.e. would one attack deal different damage to the other depending on what unit was being hit)?
I set out to answer both sets of questions, and ended up stumbling into a few surprising answers in the course of doing so.
Regular members of the Rise of Nations Discord server will likely be at least vaguely aware of how much I dislike fighting against War Elephants, and much of this came from my experience while playing the Alexander campaign on Toughest1 (which also provided some useful insights).
However it wasn’t until recently that I actually crunched the numbers on exactly how effective these behemoths really are. It turns out they are somehow even better than I thought they were.
With 2019 most definitely underway, I wanted to pause for a moment to lay out general plans and content priorities for the upcoming year.
Between the upsets, close games, and clown fiestas, Worlds this year was among the most engaging yet. Granted things petered out a bit once things hit semis, but overall I’d still rank this as one of the most enjoyable Worlds viewing experiences there’s been, particularly as a western fan.
Amongst all of this, there’ll no doubt a great deal of analysis being done on each of the teams, their strategies, and their shortcomings. One less showy thing which I myself noticed while watching the games was the prominence of Sterak’s Gage during the course of the tournament. Intuitively it’s an item that you build in tandem with other HP items so that you scale its shield up, but at Worlds it was often built even when it was the only source of bonus HP in a player’s entire build.
This was a little surprising to me, so I began looking into answers as to why this might’ve been the case.
In years past I was part of Remyrhe Gaming, an organisation that used to run some pretty swell tournaments for League of Legends and Hearthstone. Unfortunately RG shuttered in 20161 not long after its crowning achievement in the OCC/OUC, the largest student-focused League of Legends tournament ever run in Oceania (we held the grand final in Riot’s OPL studio!). At some point I’ll dig up the overlays and stuff I made for that and publish them here for posterity.
Newer and less popular — but nonetheless ever-growing — was our creatively named Hearthstone Cup, which our partner Logitech graciously also sponsored following our success with the OCC/OUC (hence the branding elements!). I was tasked with finding or making some stream overlays for our broadcaster(s) to use, and being dissatisfied with the overlays I was finding online, I whipped together my own.
Rare resources are a secondary resource available alongside the likes of basic (primary) resources such as Food. They provide a way to supplement other economic production, either by building on existing strengths, or helping to shore up weaknesses. Sometimes they can also create new strengths, allowing you to utilise strategies that might not otherwise have been viable options.
Over the years I’ve spent a bit of time during various projects matching music tracks to onscreen events. Emotional tone is generally easy enough – putting sad music during a sad scene isn’t exactly a revelation.
What’s more difficult to get right is matching specific elements of a particular backing track with specific things happening on screen. A gunshot, an explosion, a dramatic stand off. A pause, a look, a glance, a reaction or joy, or a reaction of sorrow. Trying to match that to a beat, a strum, or chord progression – that’s where things get particularly interesting to me.